| 
12. When I go outside, I find a
traffic cop writing a ticket for
the illegally parked Caddy. I don't
gain any points with her when I identify
myself as a fellow cop. She merely
insists on seeing the car's registration.
I figure it's got to be in the glove
compartment, but I have trouble finding
it. What I do find however, is a
New York driver's license -- sans
photo -- belonging to someone named
Nicholas Forester. The thing's over
thirty years old. Still, no current
registration is found, so with parking
ticket in hand, I head back to the
office where I have Vera run a background
check on the Forester license.
Man, oh man. I'm so exhausted that
I doze off for a while and I dream
about Janette and Nick hypnotizing
me into dropping my investigation
and forgetting the weird stuff I've
seen Nick do. When Vera nudges me
awake, she's got the info I requested
on that driver's license. This time,
there's a picture available, and
except for the beard and mustache,
this Forester guy looks exactly like
Nick. Things are getting weirder
and weirder.

13. I pay another visit to Nat and
tell her what I've discovered so
far. When I mention to her that I'm
positive that both Nick and Janette
have hypnotized me into forgetting
things, she doesn't believe me. She
still refuses to see that there's
anything odd about him. I guess I've
done the same thing for a long time.
Even when the facts were staring
me right in the face. I've even defended
his actions to others. So what if
he has an aversion to sunlight, that
he has no family, he shies away from
all social functions, still hasn't
bought me not one meal, doesn't
seem to ever eat himself -- not even
doughnuts -- and he keeps bottled
blood in his refrigerator? What's
so eccentric about that? Hey, I may
have overlooked all that stuff in
the past, but not anymore.
I head back to the station and add
a few more notes to the list I've
been making using John Doe instead
of Nick's name. And it's Vera (bless
her heart) who figures out what has
been eluding me all along. Reading
the list over my shoulder, she quickly
adds up the facts. "Allergic to sun,
hypnotizes, needs blood. Oh, you're
looking for a vampire, right?" Jackpot!

14. I rush out to the library and
get a stack of books on vampires.
As I'm reading about how vampires
exist, I start to think about how
some of Nick's actions fit the profile.
I've seen just how far he'll go to
avoid sunlight hitting him. And he's
incredibly strong for someone who's
not the muscular, bodybuilder type.
I've seen him hold a man suspended
out the window with just one hand.
I believe he was actually angry enough
to drop the poor slob, but I was
able to talk him out of it. I recall
the guy referring to him as a monster
after Nick flung him like a rag doll
onto the floor.

15. Then there's the blood he keeps
in the refrigerator. He says he uses
it in his oil painting, but that
would mean he's using more blood
than actual paint. Then again, if
he really drinks the stuff, why is
it he seems to gets so freaked out
around bloody crime scenes? Or could
it be that he's just trying to control
himself around fresh human blood?
The book goes on to mention stuff
about a vampire's aversion to religious
symbols. I remember Nick almost had
an accident while driving when someone
innocently showed him a necklace
with a cross on it. And there was
that time that we had to stakeout
a church and he passed out just from
being inside it for a while. The
more I think about it, the more it's
beginning to all add up. I think
my partner is a vampire!

16. I'm convinced that Nick isn't
the only vampire. I believe that
Janette's one too, and the master
vampire has to be that Nightcrawler
guy. I find a copy of the same picture
of him that Janette had, in Nick's
desk drawer. If I'm going to get
any answers at all, I figure they've
got to come right from the top. So,
I go down to the radio station. The
guy is even creepier in person, and
it's probably not the greatest idea
I've had to confront him like this,
but I have to know. I ask him straight
out if Nick is a vampire. Then I
add, "Are you?" For a moment, I think
he's going to sprout fangs and swoop
in after me, but instead, he just
looks at me like I'm a bug under
his shoe and says, "You tell me."

17. So, I tell him about some of
the weird things I've noticed about
Nick, and like everybody else, I
can tell that he just doesn't see
it. He asks me what has changed in
my life to make all these
things about Nick suddenly so apparent.
I tell him about last night, about
the shootout and about me killing
a man. He asks me how did it make
me feel. I remember that my heart
was beating like a rabbit at the
time. When the guy managed to momentarily
get back on his feet and draw on
me, it would have been curtains for
me if Nick hadn't been there to save
my...
Jeez, have I been an idiot! Been
running around all day butting my
nose into Nick's affairs when the
guy saved my life! The Nightcrawler
begins to put it all into prospective
for me. He can tell that I'm tired,
stressed and traumatized and he tells
me that any shock to the system like
that can play on the imagination.
And boy, has my imagination been
working overtime today. The Nightcrawler
advises me to go home to my family
and let Nick be with his. He confesses
that he and Janette are the only
family Nick has. He implies that
Nick is adopted and of course is
not a vampire. (Hey, I knew that.)
I thank the man for listening to
my ramblings and ask that he not
tell Nick anything about my little
visit. Before I can leave, the Nightcrawler
offers one last comment. "Detective,
you asked me if Nicholas is different.
Au contraire. The Nicholas that
I know is very much like you. He
doesn't like to kill people either."
It's been a hell of a busy day for
me, so I book off sick from work
to get some much needed rest and
get my head back on straight. First
thing in the morning, I go out and
finish up a little business. I remember
I promised to wash Nick's Cadillac.
It's the least I can do for the man
who saved my life. My partner. My
friend. Yeah, I still think he's
a little weird, but hey, I can live
with that.
The End
|